{"version":"1.0","provider_name":"IRPA","provider_url":"https:\/\/archivio.irpa.eu\/en\/","author_name":"Patrizio Rubechini","author_url":"https:\/\/archivio.irpa.eu\/en\/author\/p-rubechini\/","title":"Superintendencies for archaeology, fine arts and landscape - IRPA","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Gtb6vXxzdc\"><a href=\"https:\/\/archivio.irpa.eu\/en\/article\/le-soprintendenze-archeologia-belle-arti-e-paesaggio\/\">Superintendencies for archaeology, fine arts and landscape<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/archivio.irpa.eu\/en\/article\/le-soprintendenze-archeologia-belle-arti-e-paesaggio\/embed\/#?secret=Gtb6vXxzdc\" width=\"600\" height=\"338\" title=\"&#8220;Superintendencies for archaeology, fine arts and landscape&#8221; &#8212; IRPA\" data-secret=\"Gtb6vXxzdc\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"The purpose of the article is to analyse the role of the superintendencies for archaeology, fine arts and landscape within the State\u2019s administrative apparatus overseeing cultural heritage. The historical evolution of this administrative body shows that, while several models and formulas concerning especially its organization at the peripherical level have been adopted and, sometimes, repeated"}